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But the other part of the record’s sound and mood is the time it took to make it. Try these numbers on for size:
The Days of Wine and Roses (recording, overdubs and mixing): 3 days, 8 hours a day
Medicine Show (recording, overdubs and mixing): 5-plus months, 7 days a week, 14 hours a day
Sandy Pearlman drove us to the limit and beyond, and you can hear the discipline, defiance, cracks-in-the-armor, mania, psychoses and the final graduation from all of the above in these tracks. I hear the laughs, the fights, the late nights, the booze, the Tenderloin, the Mission District, Sandy’s ever-present baseball cap, the Clown Alley burger runs, late nights watching Dr. Gene Scott, the perilously high 24th- floor efficiency apartments at the Fox Plaza and every one of the days and days and nights and nights when I listen to this record. And I wouldn’t change a thing.
It would all make a good book. And, in fact, it probably will someday.
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