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SAM PHILLIPS OPENS DOORS to "LONG PLAY"
Virtual art and music installation gives music lovers a year’s access to creative process.
Los Angeles, CA - Songwriter/singer Sam Phillips has opened the virtual doors to
Long Play, a unique and ambitious web-based art and music installation featuring new music, short
films, original essays, candid footage of her at work in the studio, photographs by and of her and other exclusive
material. Phillips explains, "In creating Long Play I thought about how I would love to be able to
get a glimpse into the creative process of people I admire, be it musicians, filmmakers, authors, etc." The
Long Play will provide just that kind of access to this artist’s creative process now through
October 2010.
A key part of the Long Play experience will be the creation of a wealth of new music. Sam will record and release 5 EPs, one issued every two months starting October 1, 2009, and finally a full-length album scheduled for release in the fall of 2010. All these will be available as digital exclusives through www.samphillips.com. Along the way there will be generous bonus tracks given away. "There is no record company involved — this is just between us," says Sam. The EPs are intended as opportunities for experimentation, searching for fresh inspiration, taking risks and having "selfish fun." They’re a chance to explore artistic possibilities that wouldn’t have been supported by music industry framework conventions of "album cycle" marketing and promotion. Since they’re digital releases Phillips can continue crafting them right to the point of release.
"Before the music business locks down a standardized new system of making and distributing records, digitally or otherwise, it seemed like a perfect time to do something intensely personal and experimental," Sam declares.
The other features of Long Play are also crucial as they’re the means by which Phillips can expose what inspires her: the events, people, environments as well as other arts and artists – be they filmmakers, painters, authors or other musicians. Long Play functions as a magazine, diary, radio program and museum all edited, written, hosted and curated by Phillips, documenting the rich matrix of resources that fuels her creative life.
For those joining the Long Play community as paying members it’s like taking out an art-museum membership: they’re able to visit the installation at their convenience, download music, read Sam’s journaling, see and hear her recording, view the short films. In other words they’ll share her creative odyssey. Moreover community members can enroll in an exclusive social network comprising others who follow Phillips’ career.
The funds accumulated during the making of each EP determine the production budget available for it. The finances thus become an artistic variable influencing aesthetic decisions: whether arrangements can be extensive or stripped down; if there’ll be multiple takes and overdubbing or live, warts-and-all performances, et cetera. Sam has often found inspiration in constraint, forced to innovative, unorthodox artistic solutions by limits of finance, equipment and time.
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The first release via Long Play was Hypnotists in Paris,,
her collaboration with The Section Quartet string ensemble, followed by the holiday collection Cold Dark
Night,. The latter features two new compositions, the title track and "It Doesn’t Feel Like
Christmas," as well as Sam’s stylized readings of the perennial "O Holy Night" and "Away in a Manger."
ColdDark Night, also sees Phillips reworking "It Came Upon a Midnight Clear," which she
originally rendered for the 1992 anti-war film Midnight Clear but never put on record.
These EPs follow the 2008 release of the seventh album Sam Phillips album, the
self-produced Don’t Do Anything, about which USA Today’s Elysa Gardener wrote "Phillips’
wonderfully fuzzy vocals and wry, lyrical songwriting are two of the world’s under-appreciated wonders…the tracks
on Don’t Do Anything have a dusky beauty that’s distinctly their own." Recently, Phillips’
composition "Sister Rosetta Goes Before Us" appeared on the Grammy-winning, multi-platinum Raising
Sand album by Robert Plant and Alison Krauss. Gilmore Girls, the critically acclaimed 2000-2007
television show whose music Sam composed and performed, recently went into worldwide syndication exposing her to
100’s of millions of new ears.
"The great luxury of the music business as we know it coming to an end is the newfound freedom
for artistic expression. Though I have great affection for some of the people in the ‘old’ record biz, that system
was limiting. Now, there are great creative possibilities." She continues, "Will opening up some of the creative
process affect the way I write and record the music? Will it affect how you hear it? I have no idea, and there’s
only one way to find out…"
Membership in Long Play costs $52 and entitles the member to:
*5 digital EPs (high-quality MP3, FLAC and Apple Lossless formats); released every two months starting October 1, 2009 (those who enroll later on have access to ALL releases in the series)
*1 full-length digital album (high-quality MP3, FLAC and Apple Lossless formats); scheduled for release in the Fall of 2010
*1 members-only bonus track with each EP and album, plus additional bonus tracks issued throughout the life of the project
*bonus audio and video content; may include live concert footage, rehearsal tapes, demos, behind-the-scenes footage and interviews, et al.
*exclusive audio and visual oddities
*enrollment in the Long Play social network
*exclusive access to Sam’s journaling
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